Living With Forgotten Ideas

Like diarrhea, you never know when a good idea is going to hit you. I've found that I often get ideas as I'm drifting off to sleep because this is when my brain decides to work after a long day of faking it. For this reason I started leaving a pen and a notebook on the nightstand (I learned my lesson about not writing anything on my hand or arm after the day I walked around with "sunflower seeds forget elephants" imprinted on my cheek).

An idea that comes to me in the middle of the night or as I'm falling asleep always seems like the BEST IDEA I'VE EVER HAD. Of course, this is almost never true. Sometimes I wake up excited the next day because I remember the feeling of a brilliant idea, but that excitement generally fades when I try to make sense of what I wrote down.

For example, I have no idea what "Twins—ugly and pretty—blame each other for face parts" means but I'm sure in my half-awake state it made sense. Here are a few more things I've jotted down in the wee hours and never made sense of:

"Jealousy has big teeth."
"Like salty popsicles - life and freezer burn."
"Big crosses and fancy purses."
“Falling from Tyra’s forehead.”
"Carry-on body."
"You are everyone here – a hate pit."
"Looney Tunes t-shirts."
"Coupon cutting condescension."
"Are you smarter than a Brit?"
“Life-ing my live.”
"Hammered and nails - not drunk."
"Ovaries song - hip thrusts to techno Babies beat."
“A sandwich shop for feelings.”
"Shitting crumbs."
"Unbroken is bad, break the window."
"New area codes—I don't get one."

There’s something about getting paid to be creative that messes with your ability to judge your own ideas. So instead of playing gatekeeper, you just start writing down every half-formed idea you have and thinking, “maybe this will make sense another day,” even though you’re almost sure it never will. But there’s always the chance, the hope for inspiration and that’s why I can’t throw away anything I write, whether scribbled or typed, because maybe one day all of my orphaned ideas will come together and make babies and live happily ever after…or maybe you’ll just see me on "Hoarders."

I'm Always Missing Out

When I was little, I never wanted to go to bed because I was afraid that I would miss out on something really exciting or important. This was especially the case when my parents would have parties or entertain guests. Knowing that other people were awake in my house while I was supposed to be asleep made me certain that something awesome was going to happen because I knew the most awesome stuff happened after the kids went to bed (R rated movies, card games, dancing, singing). Most of the time I would lie awake, imagining conversations and all the fun things that must be going on as I obeyed a bedtime, and it usually went something like this:

Adult 1: Which kid do you like the most?
Adult 2: Well, which one would you sell to the gypsies if you had to?
Adult 3: We should go hang out at the secret princess castle.
Adult 4: I heard the princess castle has a water slide.
Adult 1: I heard it has a giant bowl of candy that you can swim in!
Adult 2: Well, what are we waiting for? The kids are in bed!
Adult 3: Yeah! Let’s sell all of the kids to the gypsies go to the secret princess castle!

As a teenager, my curfew was a constant topic of debate. Eventually, I started to hear the phrase, “nothing good happens at that hour,” which infuriated me, because of course good things happened at that hour! My parents just didn't understand that my popularity was totally contingent on the things happening at that hour which I was missing out on because of a ridiculously early curfew, ugh!

In college, I watched the roles switch a little when my friend’s parents would come visit for a weekend. On more than one occasion, I helped a friend coax their drunk parent out of a bar and back to their hotel room, where the parent would then say something along the lines of “I don’t wanna go to bed—let’s go to the next party!” My friend and I would have to pretend that we were calling it a night so that the parent wouldn’t feel like they were missing out.

Now that I don’t have a bedtime, a curfew, or a parent reliving the glory days to babysit, I lie awake thinking about all the things I need to do in order to not miss out on anything, which usually goes like this:

Me: Maybe I should just get up and make a list or something.
Voices In My Head: No, you’ll be worthless tomorrow if you don’t get any sleep.
Me: It’s not like I have a lot going on tomorrow anyway.
Voices: Just try to close your eyes and see if you fall asleep.
Me: But my eyes won’t close.
Voices: Try harder.
Me: I think I am going to get up and write.
Voices: Nothing you write at this hour will be any good.
Me: Fine, then I am going to read.
Voices: But then you’ll just be reading about all of the stuff you’re missing out on because you're sleeping.
Me: Well, what am I supposed to do?
Voices: Keep searching for the cool side of your pillow...

I've come to terms with the fact that I'll never stop feeling like I’m missing out on something, which might mean that I’m never content with the immediate, and also that I don't get enough sleep. But really, what's so great about contentment and good sleeping habits anyway? I’d rather be plagued with exhaustion and the notion that I’m missing out, because maybe one day it will lead me to that secret princess castle with the water slide and bowl of candy you can swim in.

“Youth is wasted on the young.”

Little Big Girls: Tori (left) and Quinn

My sister, Tori (aka Torruption), has repeated this George Bernard Shaw quote to me multiple times in the past few months. She mostly uses it to put me in my place when I am complaining and using the term “quarter life crisis” a lot. The first time she whipped out this nugget of wisdom, I made fun of her for being preachy and pretentious, to which she said: “Your middle-aged self is going to hate you for being so stupid and not enjoying your youth and she is going to laugh her ass off at what your current understanding of a crisis is.” The fact that she spoke of my “middle-aged self” as a person entirely separate from who I am now made me feel weird, like maybe I should write this person a letter and introduce myself. And then I made my brain hurt by thinking about how my current notion of crisis would strike me as funny 25 years from now—I hope it’s not funny by crisis-comparison.

Tori used to fit the little sister stereotype perfectly, but then she turned fifteen and decided to revolt against me and all my big sisterness by becoming smarter, bossier, prettier and taller. She is only 20 months younger than me, but it always felt like so much more when we were kids. When I say that Tori used to fit the little sister stereotype, I mean that she wanted to do whatever I wanted to do and she would let me boss her around, too. I think I really took those years for granted because now she is the one bossing me around, telling me what to do with my life and usually trying to help me avoid a generally pathetic existence.

Between the ages of four and nine years old, Tori and I were really into two things: Barbies and playing “Big Girls.” While Barbies was more of a collector’s game, Big Girls was like reality TV before there was reality TV.

I took Big Girls seriously. It was a detail-oriented game that required a powerful imagination to create a realistic world. First, we would dig through our trunk full of dress up clothes, which included old Christmas dresses, Princess costumes from past Halloweens, and no longer stylish pieces from our mother and grandmother’s closets. Dressing up was usually the longest and most intense part of Big Girls, and it was occasionally drawn out by the opportunity to do our hair and makeup as well.

Once the preparation for Big Girls was complete, and we looked scarily like adults, we would then devise our stories.

“Well, my name is Sandra and I am a waitress and a singer,” I would say. Dressed in pink leggings, a blouse dominated by giant shoulder pads and a be-dazzled headband, I was in character—this was an adult version of myself that was entirely invented but also somewhat realistic.

“Okay, well my name is going to be Theresa and I am going to be waitress, too,” our friend Sarah would say. Sarah was our shared best friend and Big Girls was never complete without her (mainly because she had a much older sister that left a lot of really cool “Big Girl Stuff” behind when she went to college).

“I want to be a waitress, too!” Tori would chime in.

“Well what’s your name going to be?”

“Um, Star?”

“That’s stupid, Tori. Your name can be Stephanie.”

I directed the details of Big Girls like it was a Broadway production. This was professional make believe and I was the self-proclaimed expert.

The next step of Big Girls was to stage an everyday, work-related scene. So we would round up all of our kid-size tables and chairs and set them up like a restaurant. We would then go around to tables and have conversations with our “customers.” It didn’t take long before I would be bored with the monotony of the actual waitress duties. So we would start fighting with our fake customers and then we would act out the scene of quitting our waitress jobs, which was always dramatic and usually ended with someone crying and vowing to never return (ever again!).

You see, playing Big Girls wasn’t so much about pretending to be something you actually wanted to be; it was about pretending to be something in order to feel older. Now I am officially older, legally an adult and legitimately stressed out, and I wonder why I ever pretended to feel this way when the reality of it was so near. While I am pretty sure Big Girls appealed to me because of the theatrical aspect (because I am a ham), I know that there was always a part of me that couldn’t wait to grow up, and there still is.

In a way I feel like I never really stopped playing Big Girls because everyday is an intense game of make believe where I pretend to be a writer, a professional, a capable adult—I set up the scenes, get bored, add some drama to spice it up and then sometimes I end up running away crying and vowing never to return. Because of this, I decided to write my “middle-aged self” that letter:

Dear Middle-Aged Quinn,

Remember when you were little and spent the days playing Big Girls? Maybe not, that was a REALLY long time ago for you, and your memory might suck now. Well, anyway, back then I thought that the goal was to feel older, now I know it’s inevitable. So if you feel old now, which you probably do because apparently you’ve had 25 years of crisis-worthy experience to wear you out, try to find solace in the fact that even though you’re not as cute as you used to be, at least you’re not as dumb. I hope you don’t have to pretend anymore, but if you do, I understand—I mean, we are really good at it.

Also, you didn’t waste your youth like Tori (or George Bernard Shaw) said—you just pretended your way through a different, slightly more dramatic, version of it.

Peace out!

Love,
Quarter Life Quinn

p.s. – if you’re really gross and wrinkly now, I’m sorry about all those times I never used sunscreen and all those years I smoked and pretended like it wasn’t bad for me. Don’t be mad at me, I am young and stupid now so that you can be wise and smart later…when it really matters, remember?

p.p.s. – if you got plastic surgery, I am going to pretend to be really pissed at you.